Crafft

Crafft

Crafft

In the sphere of visual aesthetic, 'shape' relates to a designated, bi-dimensional space illustrated through lines, colors, or palpable textures, or a zone outlined with shapes such as trapezoids, rectangles, and spheres.

In the sphere of visual aesthetic, 'shape' relates to a designated, bi-dimensional space illustrated through lines, colors, or palpable textures, or a zone outlined with shapes such as trapezoids, rectangles, and spheres.

In the sphere of visual aesthetic, 'shape' relates to a designated, bi-dimensional space illustrated through lines, colors, or palpable textures, or a zone outlined with shapes such as trapezoids, rectangles, and spheres.

Year

May 2026

Client

Crafft

Category

Social media

The CRAFFT campaign was shaped around a clear seasonal retail message: make the offer feel immediate, bright, and easy to understand at a glance. The visual system uses bold product staging, summer cues, and strong price hierarchy so every creative can work quickly across social placements and promotional touchpoints.

bright, and easy to understand at a glance. The visual system uses bold product staging, summer cues, and strong price hierarchy so every creative can work quickly across social placements and promotional touchpoints.

Rebranding & Visual Ecosystem Architecture

For Crafft, I spearheaded the comprehensive creative direction and brand modernization from initial concept to cross-channel execution. My role was to transition the home appliances company into a premium, world-class visual standard across all mediums.

Instead of just designing standalone assets, I built a holistic brand DNA that bridges industrial packaging, physical products, digital UI/UX, and large-scale outdoor advertising into one seamless, high-fidelity experience.

Goal

The main goal was to elevate Crafft’s market perception from a functional appliance manufacturer to a premium lifestyle brand. I wanted to establish a unified, sophisticated visual system that commands attention across both digital interfaces and physical environments, reflecting top-tier quality and professional authority.

Challenge

Crafft held a strong market position but suffered from a scattered perception. The lack of standardized design guidelines across its vast product lines created visual friction, making it difficult for the audience to recognize the brand instantly and limiting its growth into high-end markets.

Solution

I established a centralized design system and a unified blueprint for all touchpoints. By defining a clear visual hierarchy, rigid grid structures, and consistent color logic, I eliminated fragmentation—turning hundreds of disconnected products and channels into one powerful, recognizable, and premium ecosystem.

Nothing Fills the Space It Leaves

In a world where home appliance brands race to promote cutting-edge features and technology, we chose a different path — a human-centered story that asks: What if comfort disappeared? What would the void look like?

This film explores the idea that emotional voids aren't always caused by the absence of people. Sometimes, it's the absence of comfort — the quiet reliability of everyday objects — that leaves the deepest mark. These are the things we see, touch, and depend on, often without realizing how much they mean, until they're gone.

In the story, a woman decides to leave her home. But she doesn't leave alone — she takes every source of comfort with her. Her partner returns to find not just an empty house, but a life stripped of CRAFFT. The space left behind says it all.

Maybe the void will be filled if she returns… or maybe it won't.

Published in Iraq in March 2025 for CRAFFT, created with ad agency Noise In Head. A film and OOH outdoor campaign across the electronics and household products categories.

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//Award

Recognition

MUSE CREATIVE AWARDS

Platinum Winner — Nothing Fills the Space It Leaves

2025

The campaign film Nothing Fills the Space It Leaves, featured at the top of this page, received a Platinum MUSE Creative Award in 2025.

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This Project

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Concerns

Frequently

Asked Questions

01

What do I need to get started?

02

What kind of customization is available?

03

How easy is it to edit for beginners?

04

Let me know more about moneyback guarantee?

05

Do I need to know how to code?

06

What will I get after purchasing the template?

03

//FAQ

Concerns

Frequently

Asked Questions

01

What do I need to get started?

02

What kind of customization is available?

03

How easy is it to edit for beginners?

04

Let me know more about moneyback guarantee?

05

Do I need to know how to code?

06

What will I get after purchasing the template?

//FAQ

Concerns

Frequently

Asked Question

What do I need to get started?
What kind of customization is available?
How easy is it to edit for beginners?
Let me know more about moneyback guarantee?
Do I need to know how to code?
What will I get after purchasing the template?

03

//FAQ

Concerns

Frequently

Asked Questions

01

What do I need to get started?

02

What kind of customization is available?

03

How easy is it to edit for beginners?

04

Let me know more about moneyback guarantee?

05

Do I need to know how to code?

06

What will I get after purchasing the template?

Let'S WORK

TOGETHER

BASED IN Baghdad,

IRAQ

Graphic Designer
+ Content Creator

I AM A SENIOR GRAPHIC DESIGNER AND VISUAL CONTENT CREATOR.
I BUILD ADVERTISING CAMPAIGNS, BRAND IDENTITIES, AND SOCIAL,
PRINT, MOTION AND VIDEO CONTENT.

Let'S WORK

TOGETHER

BASED IN Baghdad,

IRAQ

Graphic Designer
+ Content Creator

I AM A SENIOR GRAPHIC DESIGNER AND VISUAL CONTENT CREATOR.
I BUILD ADVERTISING CAMPAIGNS, BRAND IDENTITIES, AND SOCIAL,
PRINT, MOTION AND VIDEO CONTENT.

Let'S WORK

TOGETHER

I AM A SENIOR GRAPHIC DESIGNER AND VISUAL CONTENT CREATOR. I BUILD ADVERTISING CAMPAIGNS, BRAND IDENTITIES, AND SOCIAL, PRINT, MOTION AND VIDEO CONTENT.

Let'S WORK

TOGETHER

BASED IN Baghdad,

IRAQ

Graphic Designer
+ Content Creator

BASED IN BAGHDAD, I AM A SENIOR GRAPHIC DESIGNER AND VISUAL CONTENT CREATOR. I BUILD ADVERTISING CAMPAIGNS, BRAND IDENTITIES, AND SOCIAL, PRINT, MOTION AND VIDEO CONTENT.

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